anti-graffiti and urban scars

The notion that a graffiti artist allows the space within which it is contained to define the scale and form of their letters is easily identifiable in the practice of many artists. The limits of space and the limits of their bodies are often cited in texts as these are typically art history constructs which allow academics to place graffiti neatly into some skewed western tradition, thus increase its acceptance as an art form as one which may be part of a contemporary discourse. Scouring the early entries od Momo’s blog led to an introduction to Fred Radtke, who seems to have considerable notoriety in the US as a vigilante graffiti remover. Unsanctioned, but tolerated, Radtke will answer calls from the public and paint over graffiti using his trademark grey paint, he is commonly referred to as the Grey Ghost. He is not consistent in his chosen tone of grey and an extended ‘dialogue’ on the same wall over several months between Radtke and his opponents can result in some interesting abstract compositions. The irony that exists here is that Radtke does not distinguish between illegal and legal graffiti and has landed himself with a $20,000 fine after controversially painting over an officially sanctioned ‘artwork’ by UK pretender Banksy. The ‘pieces’ themselves have a minor discourse with urban space, the morals and politics surrounding the activity are impassioned, but incidental to the accidental emergence of anti-art-art.

re_map does not condone the work of Banksy in any way shape or form.

Images are from various Flickr accounts.

Abstract Motion No.1

Abstract Motion No.2

The solution, the problem, neither or both?

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